It Aint Easy These Days for Struggling Artists.
The World is designed to Rip Us Apart…
What Do We Do?
I’ve been seriously pursuing a career in the arts for 11 years total and 9 years extremely seriously and before that in High School I was delusional enough to think as soon as I graduated my life would change, and I would be a famous Rock Star. So glad that didn’t happen.
One might say that the road of an artist is paved with risk, struggle, and some fleeting joy after a 45 minute performance that may take 3 months to plan. Some artists create struggle and pain for themselves by getting involved in all kinds of detrimental activities, and we need not go into what all those might be. Some artists continue to try with all their might and repeatedly receive lashings from the drama in this material world. See from my view the true artist always lives the art. They are always living in those transported moments they sing(/create/paint) experience. They live out their philosophies and the colors of their expression everyday. This mental and spiritual state is not fit for the structure of this modern world. There is no time left to ponder and dream and imagine worlds and sounds that transform the lives of any audience.

"Pondering" behind is the Taj Mahal
Everyday the modern world seeks to take the artist out of their own world marginalizing them and denouncing the value of their works and understanding of the world. The material world is in a constant war attempting to rip the artist to shreds. Even once an artist has reached so called material fame, what the majority of the audience wants to see is their flaws; they want to see blood, they want to see the artist ripped apart and worthless. The material world wants to strip away the true purity of the art form, thus making it more and more difficult for the artist to remain pure and actually be able to have a stable life in this fast paced society.
My purpose here is to inspire other struggling artists. To show a side of me that most people my not see. I’m just like you, and if you have experienced something similar I want you to know you have a brother in this war of maya. I want all the success of life for you, and I want to challenge you to pick up your weary sack and carry on. The other purpose of this piece is of course to vent, why not, if I can’t vent in my very own blog then want is the use of it right? And if we can’t talk about serious matters that may be kind of a downer, then what kind of Yogis and Yoginis are we. Right? Like Thich Nhat Hanh says, “You have to love the garbage as much as the Flower.”

@ Bonnaroo 2010 We just had a fight with the organizer from Ford about whether or not we could sell our CD's during the show.
Yes, Artists, the people of this world are out to get you even if they don’t realize they are doing it. Something as small as an entire room of hundreds of people talking and drinking and carrying on while someone is pouring out their heart and sharing their art is enough to make the artist want to say “fuck it, you know what I’ll just go home and perform for my family who gets it, and feels it.” Party and concert goers are now being programmed and bred to feel that everything is a sound track to their life. While this is important and arguable, it also touches on the audience’s tendency for complacency and overall forgetfulness. Please know that I am not counting out the many art patrons that oppose this view, and there are a great many movements and developments in the arts and music world that are giving great respect and advantages to artists. I’m really getting specific with local, struggling artists doing everything themselves, just like us.

I pray that Goddess Lakshmi sends blessings to all Artists
Another battle for the young struggling artist is money. Most of the modern functionality of being a professional musician requires capital. What young artist has any, right? Furthermore, artists are continuously performing for free just for exposure, and then when we do try to charge for our services no audience member wants to pay more than 10 bucks these days. A 90 minute show with theatrics, dancers and a message is worth more than an energetic exchange of 10 dollars. Again exposure is still the key thing here. So from one artist to another – Never stop performing and exposing your craft to audiences even if they are cheap and don’t listen. There are many ways to be creative and make money from nothing. My previous band, Million Year Dance, made and sold crazy amounts of shirts that I made out of old t-shirts and a bleach pen. Get creative and never sell yourself short.
Your art has value and the energetic respect should be granted. I have this deluded vision in my head of the old days in India/Europe when musicians were offered to stay in the palaces and castles and asked to sing for the royal parties. Now I’m sure there were a great many musicians that never made it out of the village. Furthermore who would want to spend their time with a bunch of greedy kings and politicians right? At the same time the vision in my head is that the arts, dance, music, etc. had much more relevance in those ages. You couldn’t simply turn on the latest shit downloaded to your ipod, the musicians would actually have to be present and performing for you to enjoy the sounds. Of course there are positives and negatives here, and you see what I’m leading toward. What we are doing on stage matters, and it’s a world that the artist never stops living, it’s not like we walk off the stage and stop being artistic. We want to draw people into that world for a moment and all go to the same place to experience more pieces of ourselves and our humanity.
Social surroundings play a huge role as the antagonist in the story of Artist Living in the World. It is very much becoming a “have” and a “have-not society.” (Please note that I am not discounting the huge rise in social consciousness, awareness and a general elevation of the human spirit that we see surging in the world also). No, I’m being very specific about the structure of the world we live in. How can you even do something substantial in Houston without a car, everyone drives? The city is swelling with people, and they all want to one up each other, there is an incredibly manic vibe on the highways these days. That is because most of the people out there are working jobs they despise, and living life less fulfilled and they are literally polluting their surroundings with that energy.

Holdin' it down for "the Man" and why? Do it for yourself.
Most struggling artists have to have a “Jobby Job,” as I like to call it. This brings on the old Alice Cooper thing right, “can’t get a job, cause I ain’t got a car, can’t get a car cause I didn’t go to school,” or what ever the stupid lyrics are. But good old Alice touches on a fine point. Being that artists don’t live in this world, and are being confined to the stress and the rules of this crumbling structure society has made for itself, the artist becomes crushed and lifeless and unable to express the feelings that give life and color to an audience. It takes time to fuel and develop those natural artistic tendencies. The oppression of every day work life sucks the life out of the artist’s sense of expression. I’ll quote Perry Ferrell here from a song by Jane’s Addiction that I love, “Men ain’t meant for work, come on build a machine, so we can play more then go deeper.” (think that’s how that lyric goes) Non-artists just don’t understand this feeling. Someone with an opposing mind might say, “oh quit whining, or just deal with it.” And that’s precisely my point. There is no respect given to the artistic process. Even in the live setting. It takes so much time and effort to produces a show, and the audience just wants you to throw everything on stage and go so they can go back to tweeting and drinking or whatever it is they came to do. Artists need room to breathe and time to feel the expressions they are trying to relate to an audience.
Someone just responded to my facebook post about this article, and mentioned booking shows. Wow, this is a big topic. First of all, this music/arts game now days is all about EXPOSURE. If the struggling artist can apply this to everything they do they will be successful, even after shoveling thousands of dollars and endless hours down the hole of investing in your own career. Exposure is everything, and at the same time this presents many obstacles and tricks. The question to start with is, “How can we get exposure if we can’t even get a venue to give us a booking?” My response is a question. What is the deal with the music biz in general when it comes down to communication? In a world where communication has been made easier than taking a shit, why won’t people at least write a polite email in response. NO ONE in this business responds to emails, texts or even phone calls. I blame social media for playing a role in the complacency of some. People feel that if they are supportive on line that counts and they don’t actually have to physically be present to experience the life of the artist. Furthermore, the venue or mag rag or to whatever the deserved artist is inquiring won’t even call back! So this is a plea to all venue owners, newspaper, and even artists that are working professional, RESPOND! Just even send an email saying, “Hey you guys suck we aren’t going to book you.”

Live @ Summer Fest 2010
My advice to any artists that is trying to book a show is to never stop sending emails, calling, showing up in person, whatever you have to do. If you send out 100 emails someone is going to respond. Now this might even present another obstacle that all true artists dread. Say for instance you do get a call back, yet you have to perform in front of a Dos Equis Banner. Hideous! There’s nothing artistic about that, it doesn’t serve the artists, and further more it makes it worse because it’s promoting a behavior to young souls that may turn into a disease. Who wants to support that? You see? You see the ridiculousness artists have to endure just to receive a little bit of exposure. Even then the exposure is fleeting; you will evaporate in people’s minds within seconds. You have to just come up with the next scheme and scheme again and again, and this too leaves the artist feeling like their soul is black and crushed. What to do? Where do we go?
Link To Video live at Momo\’s in Austin, booked this show by sending out 100 emails to Austin Promoters and 2 replied.
It could be as easy as to use the words of many wise Yogis, “Live in the World and not of it.” This is something that an artist should easily understand, right away. In my inner circle we refer to this concept as “The Robin Hood Project.” This is easily arguable. One could say we have “sold out,” or contributed to corporate plunder in the arts. However, my philosophy is that, this is the world we live in; I don’t have any time to waste, so when opportunities come our way, even if they directly refute my mission statements I approach them from an angle of “How can we still leave our mark.” Being able to hang things on stage is great. We can make the statement of “we don’t support this banner,” and still be respectful, because it’s now part of our stage design. Also once the exposure is made don’t be afraid to speak your mind. I’m not saying burn bridges, but you can guarantee that when we perform I will not advocate wasted dastardliness. That will be clear. It might turn people off, and that is where we are not compromising our dreams and art and still getting the exposure we need. Besides, people want to hear Rock Stars and their whole “fuck the man” attitude? Right? The impression we leave on the hearts of people that come to our shows is worth way more than anything there is to offer, so I will take from these dictators and rulers and give to the people around me enough so that we can escape their traps and no longer be bound to these cages in which we are housed.
So all these points are arguable you could be like Fugazi and remain in your truths and compromise nothing for any cost or exposure. You could take the long noble journey, and the idea that you could somehow merge the two and gain access to mass exposure without ever turning over your artistic integrity. And it can be stressful and there are always experiences in this game that can tear you down.
And speaking of being torn down, I was feeling incredibly beaten the other day, not broken still content, happy, humble, thankful and honest. But yes, I was beaten. My soul was aching. After a long day of battling for what I love most I found myself engaged in the act of doing what I love most in a room full of hundreds of people. I closed my eyes and poured everything into the songs and exposed my whole heart and felt every nuance. My body exploded into a thousand micro me’s and I spread all the way across the room, smashing my voice against the long wall and back again, making me feel like my music was carrying the whole room off the Earth. I opened my eyes and saw 4 beautiful people staring at me and I could feel that they experienced the same thing I had, and the sound of the surrounding chatter filled the room so much so that I couldn’t understand these precious 4 as they smiled and said nice things to me. The other hundreds of people carried on as if us 5 people weren’t even there.

I felt a bit like this on the inside that night in front of hundreds that didn't even care to listen
I let out a huge breath and unplugged my guitar; that would be all of my soul that this place would see and feel tonight. A young boy approached me and asked about the scarf I had tied around my mic stand. I told him it was Palestinian. He knew what it was, he smiled ear to ear and we began what was an amazingly uplifting experience and allowed me to see that every move we make is so very important and worth cherishing. He explained to me that he is even afraid to say his own name because someone will call him “terrorist.” This is sad; the boy can’t even be free about his own birth-given name. And I’m not going to cut anyone any slack, not even myself. Many people in this country don’t know suffering and pain, and they don’t know how to embrace it and love it. Talking with this young man made me see that my problems are really shit. It’s time to suck up your sack of meat and bones and just move on and keep going. Learn from this and turn into a soldier of your dreams. Because, make no mistake, it is a war out there. You need to be a warrior of your dreams, and take command.
Photo of us winning a performance at Bonnaroo 2009
Now for those that have it all figured out this next bit is not for you. Anyone that is seeking answers to any of these said concerns just like the chorus of any of my songs I have a few solutions, and I’ll outline a few of them. This might not work for everyone and I’m sure there are thousands of other ways to go about business, and that’s why we need to open this forum and share with each other and help each other. No longer are you my competition you are my brothers and sisters, my mothers and fathers, in this war of maya.
On the Day to Day
Where to begin right? Well it’s like great Indian food, it’s all about the masala. If you can’t get the onions and the spices right, the rest of the dish just isn’t going to taste right. So of course first off before you even present your ideas, vision, and music to an audience it would be a good idea to already have the product. Even if you don’t have an album yet make that live show the best damn live show you can. Whatever you do has to be of good quality, and more importantly your heart has to shine in it. It must reek of your artistic odor. If it’s not from the heart and a real piece of you, people will sniff you out and call your bluff.

Sharing Joe's Album Art with a some new friends
The next most important thing is willingness, and drive. To be self motivated you have to be even willing to move your body to do the work. The drive is what is difficult. Drive implies consistency. You just can’t give up or ever stop working – “sleep-when-you-are-dead” kind of an attitude. One of the biggest epiphanies I have ever had was “no one is going to come looking for you.” No one is sitting around waiting to listen to my album and sign my band. I have to go out into the world and spread the activity. Being active in the world produces active results. This is an everyday mind binder and no one is going to do it for you so, put down the bong for this morning and do some stretches, loosen the mind and get active.
Booking
This is tricky right? Some quick obvious points:
Link to a Very Useful Website for booking venues in your area and around the Country
-Connect with other artists in the local communities (this really is your best start, venues don’t care.) Go to their shows; get involved in the scene and what is going on. All big businesses are started off by the door to door approach. You have to be willing to do the leg work yourself.

Connect and understand artists or that which makes us strange
-Take every opportunity that comes along until you feel like you have some roots and scale back in your local market, this is a good time to start playing out of town.
-Now with direct contact of venues. This is very tough. Never send bulk emails to a CC’d list. Promoters and venue peeps won’t dig it. In all my dealings with people I try to be as personal as possible, and actually I’ve found that is quite rare, most people just don’t even respond. This takes time and dedication, and personalizing any message will be way more effective. Plus it’s really you, you can just be real.
-One thing you can never do is give up. Without being annoying keep poking and prodding at the right moments. Heck, even just show up at the doorstep when you know the manager of the club is going to be there and stick a CD in his face, the old fashioned way. Chances are you’ll send out 100 emails, and only one will bite. Once you have that one, make it count, put on a hell of a show and keep on it after the next one again and again. 
These are just free flowing ideas here. The idea is now sparking in my mind to create a forum for artists to share and help find solutions to the surmounting issues that make it difficult to be an artist. But anyway I’ll keep going.
Money
Anyway you can make it save it. Even if you eat less, buy less whatever it takes. Horde that money for now playa. Don’t spend a single drop.
-Something I always mention as an option here is: Make every local show your doing about the mission. Every show is a donator show to fund the next thing. “Hey come donate to this show and help fund our album,” or whatever the draw may be.
-Find all the stuff your talented with and try to sell it. Sell whatever you can and scour the landscape until you can find the cheapest ways of making money.
-Charge for your shows, you’re live artistry is worth it.
-So much to say here…
Employees
-This may feel risky for some, because it can cause friendships to sever forever. However I feel that a relationship is only worth having if it’s all the way. I would make my employees members of my closest friends and family. That way everyone truly cares about what you do and that energy carries everything.

The Old Man, my father; Guitarist, Singer, Manager, Editor, Writer, Advisor, pretty much everything-er
-Now some people don’t have the fortune to have caring loving families that will do anything for you. We can still create a family of our own in our immediate community. Go out into the community and give service for free. People will be more obliged to help you later on if you give your service to them with all of your heart. Volunteer and do as many things as you can for free, and all people to feel your loving heart in it. This is the true making of a Dharmic Warrior, and this devoted attitude will be infectious.
-Your friends can also be your fans. Rally up every single one of your friends and bring them to the venue it will show the owners you have a draw on your own.
You Have Value
One important thing that is coming to mind is value. Always give value to what you do. The quality of your product will glow with it. And you yourself are valuable. Never at any moment let anyone tell you that you are not worthy. You should value your own art as if it is the greatest thing on Earth, and never compromise on it, because there are a thousand things in the day to day that want to strip you of it and break you down. Your art is worth everything you put into it, right?
I have so much more to say and I feel I need to let it rest for now. Over the course of writing and editing this piece we realized that we need a website that is a complete How To for artists. We are already working with people and urge any of you that if you have something to contribute to this cause please contact us. The website would then be followed up by local Artists How To communities, that host physical forums so we could all receive the hands on approaches as well.
Thanks so much to everyone that is engaging in this topic I pray the benefits keep reaching out. Just as I was posting this to the website, I was reading about Juliano Mer-Khamis of the Palestinian Jenin Freedom Theater was shot and killed in Jenin. So heartbreakingly sad. We have it easy, the best thing we can do is carry on and keep Juliano Mer-Khamis in our hearts so that art lives on. Link to Democracy Now about Mer-Khamis
Peace
Tyagaraja
I had some beautiful people come forward and offer their inspiring stories. Look into what other’s are sharing here:
Other Artists Experiences